Thanks, will have a look at that, and play with those Settings myself, if i have a bit of spare time.
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I dont really think its correctly described as compatibility issues. Color Science and all the Different Color Spaces are one Hell of a Beast to tackle or even to grasp somewhat at all, here is just some Papers, explaining the very basics of it:
https://www.xritephoto.com/documents/literature/en/L11-176_Guide_to_CM_en.pdf https://xritephoto.com/documents/literature/en/L11-029_color_guide_EN.pdf .
Comes down to a lot of things, as Color is also a lot up to interpretation like for example just White Balance. Then also the Fact, that DNG is a RAW Format, which currently does not seem to have a Color Profile/ Preset embedded, meaning it is what the Camera actually sees, and the mp4 Compressed Output would be a lot closer to what it shows you on the Screen, as that has all Color Settings fully baked in.
ALSO (tbf. dont know about newer ones, heard the current batches of Chronos Cameras will get a much improved Internal Screen, though i cant speak for those, as i still only know the default "Version 1.0" Screen of the 2.1 and the very original 1.4 Screen), the Screen isnt Terribly color Accurate.
If you want to actually get displayed what the Camera Sees, use a Calibrated or at least very Color Accurate External HDMI Screen to Shoot anything (i use a 502 Bright SmallHD On-Camera Monitor, which is accurate enough for my use).
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And this is not really a Issue with the Chronos Camera really, plenty of different Cameras have quite different opinions on how things look or have to look.
Just look at Color Comparisons between Shots from Canon, Nikon, Pentax, Sony, Panasonic, and some Cine-Cameras (plenty of those Kinds of Comparisons online and on YT), when unbalanced, without any Color Matching or Color Correction done. There is Quite a lot of Subjectivity about Color tbh.
And given, you probably usually Stick to your Brand of Camera mostly, you kind of know what you will get and what to expect from the "Look" you get from it, cause you are used to it.
Have heard People call Nikon Cameras "Yellow Picture Camera", and not only because of the color of their Company Logo, but also because they say that their Footage and Images are way to Yellow biased, and so on.
And Brands like Nikon do put plenty of Effort in their Color Science, and some People still complain.
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If you want truly Repeatable Colors, especially between different Colors and / or in different lighting Situations, there is pretty much no way around a Color Calibration Target of some Kind, like those Color-Checkers (which i use for any Shot i do on the Chronos! have never used one ever before getting my Chronos, but with the 2.1, i kind of need to use it to get accurate Colors. Camera can and will produce very usable Results without, but color can look quite different from Other Cameras, when Shooting the Same Scene.).
I do still hope, that Color Science at Krontech does improve Further, so you would still get something a bit closer to most Mainstream Cameras in terms of Color without using a color-Checker on every single Shot/ Light Change, but i mean for now its usable enough. Especially if you find yourself in a lot of Similar Light-Situations, you could Probably Mostly reuse the Same Settings or just make a LUT or Preset for your Color Correction if you do end up using it for Studio Lighting, and get pretty much perfect Color with no additional work other than Slapping your Color Correction on every time (gonna have to do some kind of Grading/ Color work anyways, if shooting DNG, else you would probably just go with .mp4 for Basic Footage output).
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